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河北人窗花里的钟馗，踏虎走进“黑神话”_我的网站

四大名捕

A | 8月20日上午10点，游戏科学发布《黑神话：钟馗》15分钟实机演示。

Illustrations: Chen Xia and Liu Rui/GTAn investigation published by Yuyuantantian, a social media account affiliated with China Media Group, said on Saturday that Japan's government-run generative AI platform Gennai could become a vehicle for right-wing political narratives in administrative work.
A Chinese expert said the current Japanese government has fueled an anti-China atmosphere by portraying China as a "threat" and using increasingly sophisticated tools, including AI, to shape public opinion and build support for Japan's military expansion. Such moves, he added, appear to echo the tactics of Japan's militarism during World War II.
Gennai has also become part of the Takaichi government's broader AI strategy. Japan's Digital Agency said Takaichi instructed the government in December 2025 to utilize the platform, and will launch a large-scale pilot project targeting approximately 180,000 government employees across all ministries and agencies.This means Gennai may well be ingesting data encompassing erroneous remarks on the Taiwan region, illegal claims over the Diaoyu Dao, and narratives that downplay or even glorify Japan's wartime aggression, Yuyuantantian said.
It is worth noting that Gennai is integrated with American large language models represented by the Claude series developed by US AI firm Anthropic, which explicitly designates China as an "adversarial nation," it added.
Yuyuantantian warned that if politically biased or historically distorted material were incorporated into Gennai-generated government content, such output could eventually become what it called a "high-authority source of misinformation."
Deployed extensively across government administrative work, the AI could feed its outputs into official Japanese publications such as government reports, white papers and policy documents. Labeled as official material, such AI generated content may then be scraped into datasets and treated by other large language models as highly credible source material, it said.
Lü Chao, an expert on East Asian studies and a professor at the Liaoning Academy of Social Sciences, told the Global Times that the Takaichi government has helped fuel an "anti-China" atmosphere by portraying China as a so-called "major security threat," thereby building public support for Japan's military expansion.
Lü added the use of emerging technologies such as AI showed that efforts by Japan's right-wing forces to shape public opinion were taking increasingly diverse forms.
Japan's Asahi Shimbun previously revealed that Japanese right-wing forces have been using artificial intelligence on a large scale to churn out disinformation denying the Nanjing Massacre and claiming Japan treated civilians humanely during its invasion of China.
China's Ministry of State Security then published a commentary in July slamming such acts that trampled on historical justice and human conscience and have drawn fierce criticism from the international community and visionary people in Japan.
Historically, Japan repeatedly used domestic propaganda to stir public sentiment before and during its wars of aggression during World War II. Some members of the current Cabinet appear to be following a similar playbook for the Japanese militarism: distorting facts, stoking confrontation, portraying China as the main threat, and using that narrative to justify military expansion and pursue regional hegemony, Lü said.
"This is an extremely dangerous path, one that bears an unmistakable resemblance to the actions of Japanese militarism in the past," he added.
。两年前的8月20日，《黑神话：悟空》上线；一年前的这天，钟馗官宣首支先导预告。这一天被玩家称作“黑神话时刻”。

《黑神话：钟馗》网站页面实机视频片尾的彩蛋里，钟馗骑虎踏雾而来。灵感源自明代佚名画作《钟馗骑虎图》：钟馗执剑骑虎，回望蝙蝠，蝠谐音福。美术总监杨奇说，灵感还来自一场梦，他梦见钟馗骑虎。

《黑神话：钟馗》实机演示画面截图

明·佚名《钟馗骑虎图》钟馗是谁？豹头环眼，铁面虬须，样貌最“丑”的神仙，也是老百姓最信赖的守护者。亦鬼亦人亦神，独一份。

B | 杨奇说，钟馗装着“神魔、仙侠、武侠”的三重想象，气质就两个字：洒脱，“灰头土脸、不动声色的那种洒脱”。

C | 游戏科学创始人冯骥给团队立下十条开发原则，第一条是“首先打动自己”。

D | 2019年年会，他总结前五年“东搞西搞，投机取巧”，此后添上四个字：知难而进。两年前，《黑神话：悟空》火遍全球，石家庄井陉苍岩山的天王殿（又称小桥楼殿）正是游戏取景地。当时景区宣布：一年内通关的玩家，可终身免费游览。与“黑神话”的缘分，从那时就开始了。

《黑神话：悟空》官网公开原画

现实原型：石家庄苍岩山景区天王殿（小桥楼殿）这一次，轮到钟馗。而对人来说，钟馗早已是“熟人”。蔚县剪纸里，钟馗是经典题材。

E | 这门流传两百多年的技艺，阴刻为主、阳刻为辅、点彩染色。国家级非遗代表性传承人周兆明的代表作品里就有《钟馗》；高佃亮的《钟馗降福》，曾在北京报国寺展出。

北京报国寺“高佃亮剪纸艺术精品展”展览现场唐山丰南的篓子灯，是古燕赵“乡人傩”的活化石。正月十四到十六，六名男子戴上面具，扮五个小鬼和一个判官——判官就是钟馗。队伍从药王庙出发，锣鼓开道。正月十六夜演《五鬼闹判》，钟馗驱逐疫鬼；演毕，面具在河边烧掉，把鬼送走。2006年，篓子灯入选省首批省级非遗名录。

F |

丰南篓子灯梆子《钟馗》，20世纪80年代问世，轰动海内外，裴艳玲首演、吴桂云接棒、郝士超传承，三代人接力，40多年演出近1700场，其戏曲艺术片获中宣部“五个一工程”奖，并被定为新中国成立以来五百部艺术精品之一。梅花奖得主吴桂云演了几十年钟馗，说这戏难演，钟馗是“人、鬼、神”一体的角色，“我们演的不是某一种行当，而是一个内心丰富的人物”。戏台上，他外罩红官衣、头戴桃翅纱帽、手执折扇，抖肩、抖胯、耍扇，摔叉、喷火，一气呵成。

梆子《钟馗》如今，钟馗又多了一个舞台。从明代古画，到蔚县窗花，到丰南篓子灯，到梆子戏台，再到今天的实机演示，他换了一身又一身行头。

G | 实机演示的片尾彩蛋里，钟馗骑虎踏雾而来，惊鸿一瞥；此前的BOSS大战中，白衣剑客剑光起落、雷雨交加。视频发布10分钟便登顶热搜，同时在线观看一度超10万人；上线3小时B站播放量即突破300万，当日突破500万。

H | 弹幕刷满“来了来了”，评论区高频词是“震撼”“期待”“游科还是那个游科”。有玩家逐帧发现，开场主角与结尾钟馗背着同一把剑，疑为尚未成神的钟馗。尚未成神，先走人间。

《黑神话：钟馗》实机演示画面截图这个设定，恰好对上了钟馗的“人间缘”。

I | 剪纸匠人刻《钟馗》，靠刀工；傩舞艺人舞《五鬼闹判》，靠功底；梆子演员的摔叉、喷火，磨了几十年。冯骥说，“可体验的版本，胜过满纸雄文”；杨奇说，小花招、障眼法不管用了，得先把基本功练扎实。这话，匠人、戏班早已实践了几十年：钟馗在窗花上守了百年的家，在傩舞里巡了千年的村，在戏台上唱了几十载的戏，靠的从来不是花活，是真功夫。