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Secretary of Defense of the Philippines, Gilberto Teodoro Jr., speaks during the 37th International Military Law and Operations Conference in Kuala Lumpur, Malaysia, on August 3, 2026. Photo: VCG

China's Embassy in the Philippines on Saturday rejected Philippine Defense Secretary Gilberto Teodoro Jr.'s renewed allegations over 70 Chinese workers at a steel plant in Mindanao who were arrested and later released, citing a prosecutorial resolution ordering their release while questioning the military's involvement, the workers' harsh detention conditions and possible selective law enforcement.
The statement came after Teodoro, who was sanctioned by China in June, accused the Chinese Foreign Ministry on Saturday of continuing to evade what he called the "crucial issue": whether the Chinese nationals arrested in the Philippines were involved in illegal activities, and whether Chinese embassy officials have intervened in local law enforcement processes, according to Philstar.
Ji Lingpeng, spokesperson for the Chinese Embassy in the Philippines, directly addressed both questions in Saturday's statement.
Ji noted that a May 28 resolution by Philippine prosecution authorities had found insufficient evidence to support allegations against the workers and ordered all 70 Chinese nationals to be released.
"Yet Teodoro continues to accuse them of engaging in illegal activities in the Philippines. Does he respect the rule of law and the decisions of the judiciary?" Ji asked.
Ji also questioned whether violations of Philippine law should be determined by the defense secretary or the country's judicial authorities.
"Secretary Teodoro's remarks are completely unfounded. They distort the facts and turn black into white," Ji said.
The embassy raised multiple questions about the May operation, which Ji said Teodoro had instructed the Philippine armed forces to join. The spokesperson asked why unarmed workers rather than those responsible for managing the plant had been detained, why only Chinese workers were arrested while Filipino employees were released at the scene, and why the Chinese nationals were transported to Manila aboard a military aircraft.
The embassy also said some workers had been instructed to put on personal protective equipment and pose for photographs during the raid, which were subsequently used in publicity surrounding the case.
Responding to Teodoro's claim that the embassy had intervened in Philippine law enforcement, Ji said anyone with a basic understanding of diplomacy would know that protecting the safety and legitimate rights and interests of its nationals is a fundamental responsibility of an embassy.
"Regardless of the reason a Chinese national is detained, the Chinese Embassy has the right and responsibility to conduct consular visits, provide consular protection, make communication with and demarches to relevant Philippine law-enforcement authorities to ensure humane, fair and just treatment of detained Chinese nationals," Ji said.
"We fully respect the Philippines' judicial sovereignty and the lawful handling of cases by its relevant law-enforcement authorities," Ji said. "If solid evidence proves a foreign national is in violation of Philippine law, he or she shall be brought to justice in accordance with the law. The same is true in China. However, we firmly oppose any discriminatory or selective law enforcement campaigns targeting Chinese nationals by the Philippine side out of political considerations."
The Philippine Department of National Defense responded in a separate statement on Sunday, claiming that "The Chinese Embassy's response does not contain any answers," adding that "this is, in legal practice, an implied admission of culpability," according to Inquirer.net.
All 70 Chinese nationals associated with the steel plant in Mindanao have been released, Xinhua News Agency reported in June. The Manila Times reported that they were released after authorities cited insufficient evidence of specific immigration and labor violations.
Renewing allegations against the Chinese workers after their release for insufficient evidence lacks justification, Chen Xiangmiao, director of the World Navy Research Center at the National Institute for South China Sea Studies, told the Global Times on Sunday.
Having a defense secretary personally direct the armed forces to participate in an operation targeting civilian workers departs from normal law enforcement procedures, Chen said. Teodoro's continued politicization of the case after the workers' release reflects an intensification of anti-China agitation by certain forces in the Philippines, he noted.
Selective investigations and enforcement targeting Chinese nationals are driven not by law but by political manipulation designed to cater to domestic anti-China sentiment, Chen said.
The trend shows that anti-China forces represented by Teodoro intend to continue fomenting hostility toward China, shaping negative public perceptions and provoking antagonism between the peoples of the two countries, with serious consequences for bilateral relations, he added.
The resulting hostile environment could also have severe negative consequences for Chinese investment in the Philippines and normal people-to-people exchanges, he said.
Chinese Foreign Ministry spokesperson Guo Jiakun said on Friday that "it's learned that it was exactly this defense secretary who personally led the armed forces to seize and detain Chinese nationals lawfully working in the Philippines. This person's consistent attacks and smears against China harm not only the bilateral relations. It is the interests of the Philippines and all its people that will bear the brunt."
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B | 笔墨藏山河，石镌刻风华。
中华古画里的
每一笔勾勒、每一色晕染，
都藏着古人的审美意趣与生活哲思。
从唐代的雄浑质朴，到五代的细腻灵动，
再到宋代的雅致隽永，
这些传世名作历经千年时光洗礼，
依旧在千百年后的今日熠熠生辉。福利彩票将这些艺术瑰宝
融入刮刮乐的票面设计，
不仅让古老书画走出博物馆，
更以创新形式为传统文化注入活力。

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D | 传统文化中，“五牛”对应五福、五谷，象征勤恳踏实、岁岁丰盈。韩滉深耕民生政务，深谙农耕为立国之本，绘五牛寄托五谷丰登、百姓安乐的美好期许。

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F | 散乐是隋唐民间通俗乐舞，融合中原与西域音律，见证大唐开放包容的文化格局。曲阳汉白玉浮雕雕刻技法圆润细腻，敷彩温润，是北方石雕艺术的标杆。《唐潮-新彩绘散乐浮雕》主题刮刮乐：在深度考究唐代乐女妆容、襦裙形制与古乐器原貌的基础上，票面采用新国潮绘画风格对原石雕进行了二次创作，保留了石雕原作人物排布，将冰冷石刻转化为鲜活灵动的国风插画，让人一眼便能读懂大唐乐舞的浪漫风情。福彩将千年石刻搬上票面，让沉寂石头上的古乐重焕生机，让石刻文物走出展馆，以年轻化、潮流化的方式传播传统礼乐文化。一壁壁画，再现盛唐威仪画作小科普：《阙楼仪仗图》出土于唐懿德太子李重润墓，为一级国宝壁画，现收藏于陕西历史博物馆。墓道壁画分为阙楼与仪仗两大板块：巍峨的三重子母阙宏伟庄重，仪仗队伍包含骑兵、文官、侍卫近两百人，旌旗浩荡、车马整齐，完整还原盛唐皇室出行的盛大场面。壁画线条工整、色彩富丽，填补了唐代宫殿建筑图像史料空白，古建筑学界复原唐长安大明宫，均以此壁画为重要参考依据。《唐潮-新阙楼仪仗图》主题刮刮乐：以壁画原作构图为基底，运用新国潮国风重绘皇家阙楼与浩荡仪仗，红金配色恢弘大气，马匹、将士、宫阙层次分明，尽显盛唐雄浑开阔的时代气质。这幅壁画是大唐盛世的视觉缩影，藏着盛唐包容强盛的时代底气。通过方寸刮刮乐的复刻，将厚重的唐代建筑、礼制文化融入日常消费场景，让恢弘的盛唐气象走进街头巷尾，以通俗载体讲述盛世历史，传递恢弘自信的中华文脉精神。